Calling something an important movie probably won’t get people to seek it out at a multiplex, though I truly hope people see Origin.

A thoughtful production that makes struggling to find normalcy in the wake of a massive disaster terrifyingly relatable.

Memory is an interesting movie that doesn’t have as much to say about its subject matter as it first seems.

There is a detachment to the protagonist that extends to Ferrari as a whole.

There isn’t a shred of creativity, originality or filmmaking skill in its two hours.

The result is a good movie that doesn’t have enough feeling (besides sadness) to be great.

For all of its strengths, ultimately, it is bloated, empty and dull.

Emerald Fennell’s control of tone and ability to mix Oliver’s drama with the absurdity of the filthy rich is what makes Saltburn effective.

It is smart, likable, funny and lifted by a trio of great performances.

Scorsese has given this forgotten piece of history the respect it deserves. It is another remarkable achievement in a career full of them.