There is a detachment to the protagonist that extends to Ferrari as a whole.

There isn’t a shred of creativity, originality or filmmaking skill in its two hours.

The result is a good movie that doesn’t have enough feeling (besides sadness) to be great.

For all of its strengths, ultimately, it is bloated, empty and dull.

Emerald Fennell’s control of tone and ability to mix Oliver’s drama with the absurdity of the filthy rich is what makes Saltburn effective.

It is smart, likable, funny and lifted by a trio of great performances.

Scorsese has given this forgotten piece of history the respect it deserves. It is another remarkable achievement in a career full of them.

A compelling, well-made, movie, with an effective setting and a strong performance from Julia Garner.

It works okay as a fast-paced retelling of a captivating series of events. It just doesn’t really have anything to say about them.

It is touching and sweet. It is also meandering and unconvincing.