Wachowski has made a commentary on modern entertainment that happens to be in a sequel that sort of builds on franchise mythology.

It is a long, dull slog through cliché after cliché, with obvious setups, poorly executed payoffs and loud noises in place of tension.

This is the rare case of a thriller where I was less interested in the character moments and more interested in the action.

The personal drama is lacking, leading to a very slow pace; however, the visuals are beautiful and there are genuine moments of suspense.

There is enough material here for at least two movies, serving to blunt the impact of several of the revelations. However, this is how they

It sets up its plot, assumes we already know what is going on, then plunges headlong into its action. Despite being in the title, fate is ne

The gorgeous shots out the window of a space shuttle are there because of what they say about the protagonist, not just because they are awe

It may have been smarter to introduce these characters in a simpler story, then dive deeper if this is successful enough to warrant a sequel

With the way superheroes currently fill up multiplexes seemingly on a weekly basis, Fast Color is a nice counterpoint. It treats its people

There is so much going on and not sufficient time spent making any of it connect for the audience. Everything does eventually make sense, bu